Click the Queue button and Adobe Media Encoder will open. In the bottom left choose what part of the sequence to export. 
Click in the Timeline of the sequence you want to export. The benefits of transcoding into a format like ProRes is that you’ve got a less-compressed file that the computer can more easily work with, than say H. ProRes is an ideal codec choice when editing in FCPX or Premiere, and Resolve works well with it too. What is the best codec for Adobe Premiere? How to export to ProRes in Adobe Premiere Pro?Īdobe has announced Premiere Pro (version 14.5) will now natively support ProRes Raw, finally opening up editing of Apple’s Raw video format to all Premiere Pro users. What kind of codec does Adobe ProRes use?. Can You transcode from Adobe Premiere to ProRes?. Is there a ProRes codec for Premiere Pro?. What’s the difference between MP4 and MOV?. What is the highest quality video codec?. 
What is the difference between ProRes 4?.
What is the best codec for Adobe Premiere?. The update also brings a whole lot of bug fixes, too, which you can read about here. Import support has also been added for ProRes HDR, and iOS HEIF files. Not to mention roundtrips to DaVinci Resolve for grading, or working in multi-platform teams.Īs well as Premiere Pro, the update adds ProRes 4444 and ProRes 422 export support to After Effects and Media Encoder, too, for both macOS and Windows 10. This will make workflows much easier, and it means that you’ll see very little loss in quality (if any noticeable loss) when chopping up those long pieces of footage into smaller clips to be able to delete the waste. But it was a bit of a pain to have to roundtrip things and resort to hacks just to be able to render out ProRes footage.Īll that has changed now, though, with the new Premiere Pro CC 13.0.2 update. There have been some workarounds, using Blackmagic Fusion for example, and various unofficial and unlicensed 3rd party solutions (that typically ended up disappearing as Apple caught wind). This means if you’re working with clients that absolutely demand ProRes throughout the process, and you can’t convince them to use Avid DNxHD/DNxHR codecs, then somebody with a Mac may be more likely to get the job over you. While Premiere Pro has had support to read Apple ProRes files for quite a while now, it’s never had the ability to export them. ProRes has been one of the biggest issues for Adobe Premiere Pro users on Windows for as far back as I can remember.
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